Thursday, September 06, 2012

"THE AMERICAN IDEA" : COURSE DESCRIPTION

Every four years, a Presidential election tends to awaken the dormant idealism I nourish for the great democratic experiment which founded the land I call home.  So, to honor the pivotal historical moment that most Presidential elections pose, I post below a course description for a class titled "THE AMERICAN IDEA/THE IDEA OF AMERICA," which I recently developed for Princeton University's Anschutz Fellowship in American Studies.   A course syllabus appears in the post below this one.   Dabble, if you must, among the readings.  But, by all means, savor what you choose. 
INTRODUCTION
“It has been our fate as a nation not to have ideologies, but to be one.”—Richard Hoftstadter
          About Great Britain’s former colony, Wyndham Lewis writes as follows in his magisterial book, America and Cosmic Man,
“America is much more a psychological something than a territorial something… It is the very opposite of Blut und Boden.  A site rather for the development of an idea of political and religious freedom than a mystical terré sacréé for its sons… You become upon receiving your citizenship papers in the U.S.A. as valid an American as if your forbears had been with Washington at Valley Forge.”  
The observation inspires this class' title.  Because from de Tocqueville to Gunnar Myrdal to Dennis Brogan, foreign authors have rooted America's uniqueness in a formative Idea.  An idea, they have variously called the American Creed, the American “way of life”, or simply Americanism.  The name matters less, of course, than that each author has attributed to it a common set of principles: “liberty,” “equality,” “democracy,” “individual opportunity,” “equal justice,” “due process of law,” “freedom of opinion,” “personal privacy,” “the pursuit of happiness”.  And in their continuity and recurrence lies the suggestion that these shibboleths do more than merely inscribe our founding documents or simply anchor our political tradition.  More importantly, they supply the intellectual inspiration which propelled a remote, fractious British colony nestled in the stark New World wilderness to settle a hostile continent, to integrate a motley population, and to build a cohesive and enduring union that would shine its beacon of promise across the globe.  Even today, in fact, their premises and assumptions generate the dialectic of our culture and seed the collective unconscious out of which every one of us forges, in the smithy of his or her soul, the 'I' of his or her identity.
I.  THE AMERICAN IDEA
Our class begins accordingly with the task of defining the American Idea’s content, examining its philosophical origins, and considering its novelty, singularity, and bona fides.  Through the semester’s first four weeks, we will trace its political and religious antecedents, respectively, in the Scottish Enlightenment and Protestant Reformation.  In doing so, we also will frame, and preliminarily probe, some of the questions that will occupy us in subsequent weeks.  For example, how precisely does this ideological heritage inform our nation’s self-image, institutions, domestic conflicts, and foreign policy?  Does its legacy measurably distinguish us from the traditional Old World nations that have sprouted organically from common religious allegiances, tribal lineages, or geographical roots?  And if so, does an “exceptional” origin necessarily imply an “exceptional” destiny?  Is a sense of “Election,” then, a blessing or a curse?
II.  THE IDEA OF AMERICA
From unraveling the “American Idea,” we proceed in Weeks 5-12 to study what strikes me as its corollary--  the metaphors through which the nation have incarnated "The American Idea" in a concrete and visceral form.  Each week, in the class' second half, we accordingly focus on one of these recurring images, metaphors, and motifs and explore how it has found expression in our politics, law, literature, and foreign affairs.  As Ralph Ellison once wrote, “man cannot simply say ‘Let us have liberty, justice and equality for all,” and have it.  More than any other system, a democracy is always pregnant with its contradiction.”  Thus do the themes heading Weeks 5 through 12 stake out some of the symbolic terrain upon which the nation has struggled to reconcile its inexorable contradictions, while adjusting along the way, to vast changes in its size, composition, and affluence.     
From “The Promised Land” in Week 5 to “The Redeemer Nation” in Week 12, the tropes I've selected roughly describe a historical progression from the antebellum period through the Cold War.   Historical sweep, nevertheless, animated my choices far less than did an aim to illustrate that our culture is, in Lionel Trilling’s words, “a debate or dialectic”.  For example, Week 5’s focus on the frontier’s myth of rugged individualism and unfettered mobility is designed to throw into relief, the following week, Populism’s reverence for small-town virtue and rural permanence.  Likewise, the readings on the “Peculiar Institution” in Week 7 aim to qualify and to dispute their counterpart captioned under the “Southern Idyll”.   Where possible, even the readings within a given week challenge each other.  Week 9 thus will highlight Justice Scalia and Justice Brennan’s constitutional debate in Michael H. about whether we are an “assimilative, homogenous society” or a “facilitative, pluralistic one.”    
CONCLUSIONS
By the semester’s end, I hope the course will have imparted two overall lessons. First, is that the democratic ideals with which the Framers conceived the Republic do not merely underwrite our law or influence our politics.  They permeate and encompass America’s entire civilization, its politics, law, economy, society, and culture and not excluding its citizens’ private lives-- fueling their hopes, dreams, and expectations; instilling their morals, manners, and orthodoxies; and inspiring their vision of justice, happiness, and the good life. And secondly, I hope to dramatize the fateful legacy, as Americans, we inherit as a consequence. Each of us has to decide, for ourselves, what “life, liberty, and the pursuit of happiness” practically mean-- "a complex fate" indeed. 

Wednesday, September 05, 2012

THE AMERICAN IDEA: SYLLABUS

 
I.         INTRODUCTION:  THE IDEA OF AMERICA
1.  America and Cosmic Man, Wyndham Lewis, pp. 11-35 (Chapters 1-4); pp.
     167-194 (Chapters 20-24)
2.  The Disuniting of America, Arthur Schlesinger, Jr., Chapter 1 (“A New
     Race”)
3.   The Cycles of American History, Arthur Schlesinger, Jr., Chapter 1
     (The Theory of America: Experiment or Destiny”)
4.  “The Native Bias,” Philip Rahv
5.  The American Commonwealth, Daniel Bell
     (“The End of American Exceptionalism”)

II.     RELIGIOUS ORIGINS:  CALVINISM & ORIGINAL SIN
1.   “Churches and Sects in North America,” Max Weber        
2.  “Judaism, Christianity, and the Socioeconomic Order,” Max Weber  
3.   Who Are We?, Samuel P. Huntington, Chapters 3-4 (“Components of
     American Identity” and Anglo-Protestant Culture”)
4.   The Puritan Origins of the American Self, Sacvan Bercovitch, Chaps. 1, 3, 5
      (“Puritanism and the Self,” “The Elect Nation,” and “The Myth of America”
5.   The Scarlett Letter, Nathaniel Hawthorne

III. RELIGIOUS ORIGINS (2):  GOD’S AMERICAN ISRAEL
1.  The Irony of American History, Reinhold Niebuhr, Chapter 2 (“The Innocent
     Nation in an Innocent World”)
2.  “The Archives of Eden,” George Steiner
3.  America 1750, Richard Hofstadter, Chapter VII (“The Awakeners”);
     Chapter VIII (“The Awakening and the Churches”)
4.   “Jonathan Edwards” and “The Solitude of Hawthorne,” Paul Elmer More   
5.   Moby Dick, Herman Melville, Chapters VII-IX, (“The Chapel,” “The Pulpit,”
      “The Sermon)

IV.    POLITICAL ORIGINS & FUNDAMENTAL RIGHTS
          1.  Second Treatise of Government, John Locke
2.  The American Political Tradition, Richard Hoftstadter, Chapter 1
     (“The Founding Fathers”)
3.  The Constitution (Preamble), Declaration of Independence, Gettysburg
     Address, Abraham Lincoln, The Federalist, No. 45-51
4.  Meyer v. Nebraska, 262 U.S. 390 (1923)  
5.  An American Dilemma, Gunnar Myrdal, Vol. 1, Chapter 1
6.  Literature in America, “American Literature,” James Feinmore Cooper

V.        THE PROMISED LAND  
            1.  “The Significance of the Frontier in American History,” Fredrick J. Turner
2.  The Genius of American Politics, “Values Given by the Landscape” and “The
      Wilderness Confirms Puritanism,” Daniel Boorstin, pp. 1-50
3.  Slouching Towards Bethlehem, Joan Didion (“Notes from a Native Daughter,
     “John Wayne: A Love Song,” “7000 Romaine”)
4.   Where I Was From, Joan Didion (Parts 3-4)
5.  Childhood and Society, Erik Erikson, “Reflections on American Identity”
6.  In America, Susan Sontag

VI.      THE AGRARIAN REPUBLIC & POPULIST MYTH
              1.  “Letter to James Madison,” Thomas Jefferson       
              2.  Studies in Classic American Literature, D.H. Lawrence, (“Crèvoceur”)
              3.  The Age of Reform, Richard Hoftstadter (Chapters 1-2)
              4.  The Populist Persuasion, Michael Kazin, (Introduction, Chapter 1)
              5.  The Plot Against America, Philip Roth
              6.  “Philip Roth’s Populist Nightmare,” Matthew S. Schweber

VII.     THE SOUTHERN IDYLL  
 1.  I’ll Take My Stand, “Reconstructed but Unregenerate,” John Crowe Ransom
 2.  Patriotic Gore, Edmund Wilson, “The Myth of the Old South”
 3.  The Sound and the Fury & “The Bear,” William Faulkner
 4.  William Faulkner, Irving Howe, “The Southern Tradition”
 5.  New and Selected Essays, Robert Penn Warren, “William Faulkner”
 6.  The Portable Faulkner, Malcolm Cowley, “Introduction;” “Afterword”    

VIII.   THE PECULIAR INSTITUTION
             1.  Dred Scott v. Sanford, 60 U.S. 393 (1857)           
             2.  From Slavery to Freedom, John Hope Franklin, Chapters 4-10
             3.  An American Dilemma, Gunnar Myrdal, Vol. 1, Chapter 10-11
             4.  Going to The Territory, Ralph Ellison, “Perspectives in Literature,”
                 “What America Would Be Like Without Blacks”
             5.  Confessions of Nat Turner, William Styron
             6.  Amistad, Steven Spielberg

IX.   "E PLURIBUS UNUM" or "ONE VERSUS MANY"          
            1.  “Young Americans,” Ralph Waldo Emerson
            2.  “Civil Disobedience,” Henry David Thoreau
            3.    Democracy in America, de Tocqueville, Vol. I, Part Two, Chapters 7, 9;
                  Vol. II, Part Two, Chapters 1-4; Vol. II, Part Three, Chapters 13-14
            4.    Michael  H. v. Gerald D., 491 U.S. 110 (1989);
                  West Virginia v. Barnette, 319 U.S. 624 (1943)
5.   “Transnationalism,” Randolph Bourne
6.   “Metamorphoses of Leatherstocking,” Henry Bamford Parkes

7.    “The Point of View,” Henry James

X.   THE SELF-MADE MAN & THE GOSPEL OF SUCCESS
1.  “The Protestant Ethic & The Spirit of Capitalism,” Max Weber
2.  The Liberal Tradition in America, Louis Hartz, Ch. 8, “The American World
      of Horatio Alger,” Chapter 8  
3.  “The Discovery of What it Means to be an American,” James Baldwin
4.  “The Pseudo-Conservative Revolt,” Richard Hoftstadter
5.   The Great Gatsby, F. Scott Fitzgerald
6.   Mad Men, Matthew Weiner, S01E12 (“Nixon v. Kennedy”)
           
XI.      HOMO AMERICANUS: THE VERNACULAR STYLE
1.  American Humor, Constance Rourke, (Ch. 1-3)
2.  Omni-Americans, Albert Murray, “Omni-Americans”
3.  Collected Essays, Ralph Ellison, “Richard Wright’s Blues”
     “The Novel as a Function of American Democracy”
4.  “E Unibus Pluram: Television and U.S. Fiction,” David Foster Wallace
5.   The Beer Can by the Highway, John Kouwenhoven, “What’s American
      About America?”
6.  Invisible Man, Ralph Ellison
           
XII.   REDEEMER NATION: PAX or POX AMERICANA?
1.  “The Myth of American Omnipotence,” D.W. Brogan
2.  The Irony of American History, Reinhold Niebuhr, Chapters 1, 7 
     (“The Ironic Element in the American Situation”, “The American Future”)
3.  “Dictatorship and Double Standards,” Jeanne Kirkpatrick
4.  A Foreigner’s Gift, Fouad Ajami, Chapter 2, (“Chronicle of a War Foretold”)
5.  Resurrecting Empire, Rashid Khalidi, Chapter 3
     (“America, The West, and Democracy in the Middle East”)
6.   Harlot’s Ghost, Norman Mailer, Part I, (“Early Years, Early Training”)
7.   The Quiet American, Graham Greene